Στενές επαφές τρίτου τύπου (1977). Στίβεν Σπίλμπεργκ
Φωτογραφία: Vilmos Zsigmond
Διακόσμηση σκηνικού: Phil Abramson
Φωτογραφία: Peter Sorel
Στενές επαφές τρίτου τύπου (1977). Στίβεν Σπίλμπεργκ
Φωτογραφία: Vilmos Zsigmond
Διακόσμηση σκηνικού: Phil Abramson
Φωτογραφία: Peter Sorel
Interesting they’re using a PVSR instead of a Panaflex which Spielberg had first used on Sugarland Express a few years earlier.
Is this standard wear for an inside shoot in a bedroom scene?
Guys always had their shirts off in the ‘70’s.
The Panaflex probably made noise, where the PVSR didn’t. As the Panaflex got more developed, it got quieter. Just a guess, but all that intimate dialogue would have to be replaced with a noisy camera.
That’s Nick McLean camera operator and Michael Gini first assistant cameraman
That;s me,,,thats me,,,yippee
I do like the fact that many of Speilburg’s movies are shown in 2.35:1 and 2.40:1. I am kind of a #widescreen geek lol
the hair gave you away…..